Furthermore, the so-called “lajvardina ware” (< Pers. lājvard “lapis lazuli”) was closely related to mīnāʾī ware, though in a stylistically and thematically different vein, characterized by deep lapis-blue matte glazes, with black, white, red, and gold overglaze-painted patterns of almost exclusively abstract and floral character (Plate xxviii; Lane, 1965, p. 43, pl. 75; Grube

Kashan, Lajvardina Ware: en_US: dc.description.access: Access restricted for course use only; access to masters restricted to RBSCL staff. Please contact RBSCL …

Mongol period. Tags: Add Tag . No Tags, Be the first to tag this Vessels with "lajvardina" decoration present all the characteristics of prestige ceramics. Luxury ware set off with gold, they owe their name to their characteristic deep blue "sang-i-lajvard", the Persian name for lapis lazuli, which indicates the colour of the cobalt oxide used in the glaze.

Lajvardina ware

Late Sung dishes 23 Sep 2013 Lajvardina wares derive their name from lajvard, Persian for lapis lazuli. of this ware include a similarly decorated ewer in the British Museum. (MUSLIM MONGOL) ART | Facts and Details gambar. Bonhams : Three Ilkhanid lajvardina pottery Star Tiles Pottery bowl. Persia. Ilkhanid period ware.

Gold over-painting set against a deep royal blue glaze makes Lajvardina ware one of the most spectacular ever produced in Persia. In contrast to this, Sultanabad ware is heavily potted and makes frequent use of grey slip with thick outlines, while another type displays black painting under a …

The surface is often embellished with gold leaf or decorated with geometric patterns or delicate scroll work as seen on this tile. Lajvardina vessels have been excavated at Taḵt-e Solaymān, Solṭāniya, and Saray Berke (the capital of the Golden Horn on the Volga); the sources of most museum pieces are unknown. Taken en masse, forms are limited, and closed vessels are copied from pre-Mongol inlaid metalwork forms, as are the decorative panels of “Y” and “T” frets.

Lajvardina ware. Kilns. Chemical and petrographic investigation of the pottery. Techniques and methods. Clay properties. The Iraqii ware. The Iraqi clay. The Egyptian ware. The Egyptian clay. The Syrian ware. The Syrian clay. The Persian ware. The Persian clay. Topography and occurrence of ceramic raw materials. Iraq. Egypt. Syria.

20.3 cm Fourteen Minai sherds and one sherd of lajvardina (12th to 13th centuries ad) from several archaeological sites in Iran and Egypt are analysed to clarify the colourants used and the technology of the coloured enamels.The manufacturing process of the coloured enamels and the correlation of the cobalt blue pigment with that used on Chinese blue‐and‐white porcelain are discussed, based on Aug 17, 2014 - Origine :Doris Day foundation decor "lajvardina" Unlike minai ware, however, these later enamelled ceramics primarily featured geometric and vegetal decoration. This was often painted over a dark blue glaze which caused them to be known as lajvardina ware, from the Persian word lajvard (lapis lazuli). CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We demonstrate the potential of Raman spectroscopy as an on-site technique for the characterization of ancient ceramics. This non-destructive analysis offers a way to get information on the process and even sometimes on the date of ancient artifacts.

The Iraqii ware. The Iraqi clay. The Egyptian ware. The Egyptian clay.
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(5.08 × 10.16 cm).

Lajvardina-ware bowl Kashan, Iran 13th–14th century Lajvardina-ware jar (albarello) Kashan, Iran 13th–14th century Minai-ware jug Kashan, Iran 12th–13th century Jug with luster decoration Kashan, Iran 12th–13th century Jug with luster decoration Kashan, Iran 12th–13th century Bowl with luster decoration Kashan, Iran Mina'i ware is a type of Persian pottery developed in Kashan, Iran, in the decades leading up to the Mongol invasion of Persia in 1219, after which production ceased.
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(11.1 cm) Wt. 15.8 oz. (448 g) #iran #13thcentury #lajvardina Gold over-painting set against a deep royal blue glaze makes Lajvardina ware one of the most spectacular ever produced in Persia. In contrast to this, Sultanabad ware is heavily potted and makes frequent use of grey slip with thick outlines, while another type displays black painting under a … Lajvardina ware.